exegesis, will force a whole chapter to render the sense which he desires. And his obvious sincerity, his concentration of thought upon one great and always interesting doctrine, his constant appeal to what seems to be, and sometimes is, the exact sense of Scripture, and the vigour of his style, far better adapted to its purpose than that of Origen; all these render him an even more convincing exponent than the other of the bad system of interpretation which both have adopted. Sound theological deductions and wise moral reflections on every page make the reader willing to pardon a vicious method, for Hilary’s doctrine is never based upon his exegesis of the Psalms. No primary truth depends for him upon allegory or mysti- cism, and it may be that he used the method with the less caution because he looked for nothing more than that it should illustrate and confirm what was already established. Since, then, the permanent interest of the work is that it shews us what seemed to Hilary, as a representative of his age, to be the truth, and we have in it a powerful and original present- ation of that truth, we can welcome, as a quaint and not ungraceful enlivening of his argu- ment, this ingenuity of misinterpretation. And we may learn also a lesson for ourselves of the importance of the doctrine which he inculcates with such perseverance. Confronting him as it did, in various aspects, at every turn and in the most unlikely places during his journey through the Psalter, his faith concerning Christ was manifestly in Hilary’s eyes the vital element of religion. The Homilies on the Psalms have never been a popular work. Readable as they are, and free from most of the difficulties which beset the De Trinitate, posterity allowed them to be mutilated, and, as we saw, only a portion has come down to us. Their chief influence, like that of the other treatise, has been that which Hilary has exercised through them upon writers of greater fame. Ambrose has borrowed from them liberally and quite uncritically for his own exposition of certain of the Psalms; and Ambrose, accredited by his own fame and that of his greater friend Augustine, has quite overshadowed the fame of Hilary. The Homilies may, perhaps, have also suffered from an undeserved suspicion that anything written by the author of the De Trinitate would be hard to read. They have, in any case, been little read; and yet, as the first important example in Latin literature of the allegorical method, and as furnishing the staple of a widely studied work of St. Ambrose, they have profoundly affected the course of Christian thought. Their historical interest as well as their intrinsic value commands our respect. In his Homily on Psalm 138, § 4, Hilary briefly mentions the Patriarchs as examples of faith and adds, ‘but these are matters of which we must discourse more suitably and fully in their proper place.’ This is a promise to which till of late no known work of our writer corresponded. Jerome had, indeed, informed us125 that Hilary had composed a treatise en- titled De Mysteriis, but no one had connected it with his words in the Homily. It had been 125 Vir. Ill. 100. 65 The Life and Writings of St. Hilary of Poitiers.