In the greatly embellished narrative of Cedrenus (Hist. Compendium, p. 176; according to Wright, in his article on Abgar in the Dict. of Christian Biog.) this Ananias is represented as an artist who endeavored to take the portrait of Christ, but was dazzled by the splendor of his countenance; whereupon Christ, having washed his face, wiped it with a towel, which miraculously retained an image of his features. The picture thus secured was carried back to Edessa, and acted as a charm for the preservation of the city against its enemies. The marvelous fortunes of the miraculous picture are traced by Cedrenus through some centuries (see also Evagrius, H. E. IV. 27).