Introductory
Dissertation.
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Ephraim the Syrian
and
Aphrahat the Persian Sage.
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Preliminary.
The
two Fathers of the Syrian
Church, from whose writings the present Volume presents a selection,
are from more than one point of view fitly associated as examples of
the leaders of Syriac theological thought and literature. They
are the earliest Syriac authors of whom any considerable remains
survive; and they both represent the religious mind of the Syrian
Church, but little affected by influences from without, other than the
all-pervading influence of the Jewish and Christian Scriptures.
Syriac Literature is, on the whole, of derivative
growth. It consists largely of versions or adaptations from the
Greek. The Syriac language, in the hands of those to whom the
Syriac Church owes the admirable version of the Scriptures known as the
“Peshitto,” proved itself capable of reproducing
adequately, not only the sublime conceptions of God and of man’s
relations to God which belong to the cognate Hebrew of the Old
Testament, but also—the wider, subtler, and more complex
religious ideas for which the writers of the New Testament found their
fit vehicle in the Greek. But the Peshitto, great as its value
must have been to the religious life of Syriac-speaking Christians,
never became to them what Luther’s Bible has been to Germany, and
the “Authorized” Bible of King James’s translators to
England—an inspiring force in literature, not merely to elevate
and enrich its language, but to quicken it in every branch.
Syriac literature was indeed deeply penetrated by the Syriac Bible, but
its level was never raised above mediocrity. For the most part it
is imitative not original;—nay, it rarely succeeds in
assimilating so as to make its own what it has borrowed. The
Syriac translator, if he worked on the writings of a Greek divine,
would often paraphrase or even interpolate; if of a Greek historian,
would subjoin a continuation; but he would seldom venture
farther. Those who essayed independent authorship were few.
A home-grown Syriac literature began with Ephraim and Aphrahat; but
[setting aside a very small number of the writers who followed] it may
almost be said to have ended with them. These two, and these
alone, in place of being imitators or translators, were translated and
imitated by the writers of foreign nations. Aphrahat’s
literary lot was the singular one, that his work survived in an alien
tongue for alien readers, when the original had wellnigh perished out
of the mem
ory of his own
people. To Ephraim pertains the high and unique distinction of
having originated—or at least given its living impulse to—a
new departure in sacred literature; and that, not for his own country
merely, but for Christendom. From him came, if not the first
idea, at all events the first successful example, of making song an
essential constituent of public worship, and an exponent of theological
teaching; and from him it spread and prevailed through the Eastern
Churches, and affected even those of the West. To the Hymns, on
which chiefly his fame rests, the Syriac ritual in all its forms owes
much of its strength and richness; and to them is largely due the place
which Hymnody holds throughout the Church everywhere. And hence
it has come to pass that, in the Church everywhere, he stands as the
representative Syrian Father, as the fixed epithet appended to his name
attests—“Ephraim
the Syrian
,”—the one
Syrian known and reverenced in all Christendom.
Of the two, it has been usual of late to reckon Aphrahat
as the elder. Further on, it will be shown in this Dissertation
that the reasons for so reckoning him are inadequate. For the
present it suffices to note that they were contemporaries—both
living and writing about the middle of the fourth century, and that
priority of treatment cannot with confidence be claimed for
either. On grounds of convenience, therefore, we may properly
proceed to deal first with Ephraim, as being indisputably far the first
in order of importance, of copiousness, and of celebrity.