Chapter XXIII.—The Image of Matter in the Sun, After Which Man is Formed; Trifling Fancies; It is a Mere Fancy, Too, that Man Is Formed from Matter; Man is Either a Composite Being, or a Soul, or Mind and Understanding. Neither is this to be regarded with slight attention. For if the divine virtue which is in matter be infinite, those things cannot diminish it which the sun and moon fashion. For that which remains from that finite thing which has been assumed is infinite. But if it is finite, it would be perceived by the senses in intervals proportionate to the amount of its virtue that had been subtracted from the world. But all things remain as they were. Now what understanding do these things not transcend in their incredibleness, when they assert that man was created and formed after the image of matter that is seen in the sun? For images are the forms of their archetypes. But if they include man’s image in the sun, where is the exemplar after which his image is formed? For, indeed, they are not going to say that man is really man, or divine virtue; for this, indeed, they mix up with matter, and they say that the image is seen in the sun, which, as they think, was formed afterwards from the secretion of matter. Neither can they bring forward the creative cause of all things, for this they say was sent to preserve safety to the divine virtue; so that, in their opinion, this must be altogether ascribed to the sun; for this reason, doubtless, that it happens by his arrival and presence that the sun and moon are separated from matter. Moreover, they assert that the image is seen in the star; but they say that matter fashioned man. In what manner, and by what means? For it is not possible that this should fashion him. For besides that, thus according to them, man is the empty form of an empty form, and having no real existence, it has not as yet been possible to conceive how man can be the product of matter. For the use of reason and sense belongs not to that matter which they assume. Now what, according to them, is man? Is he a mixture of soul and body? Or another thing, or that which is superior to the entire soul, the mind? But if he is mind, how can the more perfect and the better part be the product of that which is worse; or if he be soul (for this they say is divine virtue), how can they, when they have taken away from God the divine virtue, subject this to the creating workmanship of matter? But if they leave to him body alone, let them remember again that it is by itself immovable, and that they say that the essence of matter is motion. Neither do they think that anything of itself, and its own genius, is attracted to matter. Nor is it reasonable to lay it down, that what is composed of these things is the product of this. To think, indeed, that that which is fashioned by any one is inferior to its fashioner seems to be beyond controversy. For thus the world is inferior to its Creator or Fashioner, and the works of art inferior to the artificer. If then man be the product of matter, he must surely be inferior to it. Now, men leave nothing inferior to matter; and it is not reasonable that the divine virtue should be commingled with matter, and with that which is inferior to it. But the things which they assert out of indulgence, as it were, and by way of dispensation, these they do not seem to understand. For what is the reason of their thinking that matter has bound the image of God to the substance of man? Or, why is not the image sufficient, as in a mirror, that man should appear? Or, as the sun himself is sufficient for the origination and destruction of all things that are made, hath he imitated an image in the work of their creation? With which of those things which he possessed? Was it with the divine virtue which was mingled with it, so that the divine virtue should have the office of an instrument in respect of matter? Is it by unordered motion that he will thus give matter a form? But all like things, in exquisite and accurate order, by imitating, attain their end. For they do not suppose that a house, or a ship, or any other product of art, is effected by disorder; nor a statue which art has fashioned to imitate man.