4. He commends the method of interpreting obscure passages by the light of passages that are understood, and prefers it before the interpretation by reason (Christ. Doctr. iii. 29, 39, p. 567). xi 5. The spirit and intent of the interpreter are of more importance than verbal accuracy and critical acumen (a qualification not always too strictly insisted upon in these modern days of commentators and critical Biblical study). One must be in sympathy with the Gospel of Christ to interpret its records.1 Even the mistakes of an exegete, properly disposed, may confirm religious faith and character; and so far forth are his labors to be commended, though he himself is to be corrected, that he err not again after the same manner. “If the mistaken interpretation,” he says, “tends to build up love, which is the end of the command- ment, the interpreter goes astray in much the same way as a man who, by mistake, quits the highroad, but yet reaches, through the fields, the same place to which the road leads” (Christ. Doctr. i. 36, 41 sq.; ii. p. 533). That Augustin followed his own canons of interpretation, his writings show. He does not hesitate to put more than one interpretation upon a text (as especially in the Psalms), and none has been more elaborate in comparing Scripture with Scripture than he. If he had possessed the familiarity with the Hebrew that he recommends so strongly to others, he would have been preserved from the misinterpretations with which his commentaries on the Old Testament abound. Use of Allegory. Augustin’s use of allegory has exposed him to much harsh criticism. What was the practice of all, ought not to be considered a mortal fault in one. None of the ancient expos- itors were free from it. Some of the modern expositors, except as their works are designed only as a critical arsenal for the student, are defective because of all absence of the allegorical element. Where Scripture itself has led the way, as in the case of the allegory of Hagar and Sarah (Gal. iv.) and other cases, the uninspired penman will be pardoned if he follow. The use of the allegorical method, however, was carried to the most unreasonable excess, reaching its culmination in Gregory’s Commentary on Job. That writer finds that the patriarch of Uz represents Christ, his sons the clergy, his three daughters the three classes of the laity who are to worship the Trinity, his friends the heretics, the oxen and she-asses the heathen, etc. The frequent extravagance of Augustin, proceeding out of his intellectual and Scriptural exuberance, cannot be commended; but it will be found that his allegory is seldom common- place, and mingled with it, where it is most vicious, are comments of rare aptness and common sense. In the Old Testament he looks upon almost every character and event as 1 On the principle that Davidica intelligit, qui Davidica patitur; or, as the German couplet runs,— “Wer den Dichter will verstehen Muss in Dichters Lande gehen.” 10 Introductory Essay. St. Augustin as an Exegete.