And the winepress was trodden without the city, and blood came from the winepress, even unto the horse bridles, by the space of a thousand and six furlongs--14:20. This was a description of the Roman armies gathered outside the city as God’ s agents of retribution against Judah and Jerusalem for their apostasies. The context presents a dual vision. First, the two beasts of the sea and of the land were symbolic of the combined effort of Roman and minion persecutors to destroy the church. These two persecutors were the objects of divine indignation in this vision of the great winepress of the wrath of God. Second, the fallen Babylon of verse 8 was Jerusalem--the faithful city turned harlot. The symbolic description of these scenes envisioned the terrible war against Jerusalem, when the Roman armies gathered outside the city to tread Jerusalem as the winepress. The blood that came out of the winepress even unto the horse bridles signified the horrible slaughter, as though the battle horses waded in blood to their bridles. This was the vivid apocalyptic hyperbole of wrath so great and terrible that was administered to Judah and Jerusalem by the Romans in the Jewish war. 4. In the closing scene of this chapter the great winepress of the wrath of God would envelop the entire land of the Jews--the whole of Palestine. The last phrase of 14:20 declares that the winepress was trodden without the city . . . by the space of a thousand and six furlongs. Mathematically computed that distance was the approximate length of the land of Palestine, and it was symbolic of the deluge of blood over the whole land during the siege of Jerusalem, and the war against the Jews, which ended with destruction of the city, the demolition of the temple, the downfall of Judaism and the final end of the Jewish state. It was the fearful vision of the inevitable and inexorable judgment of God against an incorrigible nation.