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record_key: 5f468c1da647bcd1a167b4b352e1aaf65a5dc3d2b6e66400aaf6dde7fea576c3
origineel ID: pg-library-full-paragraph:pg71937-paragraph-132 · verwerkingsstatus: Verwerkt, inhoudelijk nog niet beoordeeld · teksthash: f282cc975708031e6cd4c90ef70ac4826ea0d30510e14a0ab6a35908eab4bdda · 1,122 tekens

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That the statue of Zeus at Olympia, and that of Polias at Athens, were executed of gold and ivory by Phidias, is known by everybody; and that the image of Here in Samos was formed by the chisel of Euclides, Olympichus relates in his Samiaca. Do not, then, entertain any doubt, that of the gods called at Athens venerable, Scopas made two of the stone called Lychnis, and Calos the one which they are reported to have had placed between them, as Polemon shows in the fourth of his books addressed to Timæus. Nor need you doubt respecting the images of Zeus and Apollo at Patara, in Lycia, which Phidias executed, as well as the lions that recline with them; and if, as some say, they were the work of Bryxis, I do not dispute,—you have in him another maker of images. Whichever of these you like, write down. Furthermore, the statues nine cubits in height of Poseidon and Amphitrite, worshipped in Tenos, are the work of Telesius the Athenian, as we are told by Philochorus. Demetrius, in the second book of his Argolics, writes of the image of Here in Tiryns, both that the material was pear-tree and the artist was Argus.

Versies (3)

Versie 05c3a385cd7a34450494ab7f8b7f9d71b87645410987c8c511ef48842ecd22c6
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Versie 4480b5b296abac6717b32fa448494640d4c2217c3b28e8ba382e12a76ca45f8d
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Versie fea680099d6f5d61369d0b7c741ec2d70063dbdeaba5af6d0da21f8823454145
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